Veggie On Wheels: Business Structure

Veggie On Wheels: Business Structure

Veggie on Wheels is a company that supplies vegetables at wholesale rates to restaurants and even to your doorsteps. It provides fresh produce at low rates, it supplies fruits and vegetables in bulk quantities to restaurants. It is a small-scale business. Veggie on Wheels actively expanding its service area beyond the GTA to reach a wider audience and grow its business.

History of veggie on wheels 

Veggie On Wheels founder is Sanket Shah and he started his career at the age of 22 and made a profitable business in one year. He started his business in this area because he has a good experience in the vegetable market. He was working at a vegetable market for more than two years, and was working as a sales executive at Fresh Taste. The founders started this venture in December 2022. In the initiative days, he started supplying one restaurant and today this company is supplying more than 30 restaurants. When the business was started owner was doing marketing on his own and by giving good time to the business he expanded his business dramatically.

Expanded routes of Veggie on Wheels

This venture is well recognized all over GTA, and its vision is to wide spread in all over Ontario. Currently, Veggie On wheels Is supplies fresh produce most Probably to Indian restaurants. It also targets the number of Canadian restaurants that can give a big business to company. This strategy will also help to expand their business in different areas and franchise sectors.


Veggie On Wheels has different competitors in the Canadian fresh produce market like Gordon Food Service, Mr. Produce, Sisco, and many more. Currently, these companies are giving big competition To this venture. These are the large-scale companies that are currently supplying to big franchisee chains like McDonald’s, Pizza Pizza, Burger King, etc.

Business structure

Veggie on Wheels, currently running a small-scale business. These apply fresh produce to restaurants, purchasing it from the Ontario Food Terminal at a wholesale rate. They will supply the purchased inventory in bulk to the restaurants. In addition, they started selling vegetables in retail and at your doorsteps. This venture invested well they will supply the purchased inventory in bulk to the restaurants’ amount of capital in their purchasing power and also invested capital in purchasing assets, like trucks for delivery. The venture, just needed a 4-person team because it is a small-scale business so, there is less need for capital for salary and employment services.

Social Media: The impact it is having on society

Social Media: The impact it is having on society

What is going on?

Over the years Social Media has had, humanity has evolved in such a way that nowadays it is more important to keep the world up to date with what is happening in your personal life than yourself. Without a doubt, human beings have stopped putting ourselves first in our lives to give way to what is happening on the outside.

social media
social media

How this Social Media both affect and benefit?

The way this directly affects young people is that from birth, as babies they have access to unlimited amounts of internet access, which can be both good and bad. The good would be that they can have a more accelerated development and can use it to their advantage to learn skills and develop them in the outside world, the bad would be that more and more children do not explore their childhood as their parents have done. A clear example from a personal point of view is that more and more children today will not be able to enjoy playing in Mcdonalds games, because the famous fast food restaurant chain no longer offers games, because more and more children play on their cell phones.

What are the benefits for brands?

Another point to note would be that nowadays digital marketing has become quite positive for many brands, because through this they can make themselves known without having to invest a lot of money and time in old propaganda.

The emergence of Facebook, TikTok, Instagram, YouTube among other platforms has allowed mankind to connect anywhere in the world as long as they have access to the internet.

According to Merriam-WebsterExternal link:, SM is defined as “forms of electronic communication (such as websites for social networking and microblogging) through which users create online communities to share information, ideas, personal messages, and other content (such as videos).” The 2019 Pew Research CenterExternal link: report on SM use in the United States showed that 72% of American adults use some form of social media. In 2005, the year after Facebook went live, that number was 5%.

What do you think about social media? Are they a safe way to connect with the world?

Maria Galindo,

StageCraft: The Mandalorian’s Filmmaking Revolution

Filming of The Mandalorian using StageCraft.
Credits: ILM, Disney, Star Wars

In a galaxy not so far away, The Mandalorian, the first ever live-action Star Wars series on Disney+ has won tons of compliments for its groundbreaking visuals and the StageCraft technology behind it. The show has set a new standard for filmmaking with its unique and effective production style. In this blog post, we will explore and have a deep dive into the tech developed by the folks at Industrial Light & Magic (ILM), Lucasfilm, and Disney, StageCraft, and how it became the role model for filmmaking in both realistic and productive ways. 


What’s exactly SatgeCraft 

One of the main reasons behind the success of The Mandalorian is the innovative production method that Disney came up with called StageCraft. They’ve made a real effort to create this groundbreaking technology using the latest advancements. In the past, filmmakers used green screens and post-production tricks to make Sci-Fi scenery. In StageCraft, with the help of huge LED walls that act as real time changing backgrounds scenes that cover the whole stage and move according to the camera moves with the help of a game engine. The result?, A seamless combination of live-action actors and dynamic sets, resulting in a higher degree of realism that has never been seen before.

This immersive technology that the production team adopted saved a lot of resources and time to produce the series. This real time environment with StageCraft not only improved the actors’ skills but also the postproduction adjustments which could go into the content. 

Watch Industrial Light & Magic’s exclusive behind-the-scenes video on the virtual production of The Mandalorian, Season One, below!

A Galaxy of Possibilities for StageCraft

As Mandalorian set a milestone in what’s possible with virtual production in entertainment. It redefined virtual production, shaping the future of filmmaking. Virtual production and LED wall technology makes an indelible mark on the industry, from smaller productions to blockbuster films. By creating immersive and realistic environment sets, filmmakers get a much higher level of visual fidelity and flexible creative freedom. The use of game engines like Unreal to render real-time dynamic changes and adjustments to sets. Filmmakers can explore different possibilities and scenarios without compromising the final product’s quality. Moreover, virtual production can reduce the environmental footprint and logistical challenges of traditional filmmaking. As they eliminate the need for location scouting, post-production adjustments, travel etc. As these technologies become more affordable and accessible, it will open up new possibilities for filmmakers of all scales and genres. Audiences can enjoy a more immersive and engaging cinematic experience.

StageCraft in action
The moment everybody realized this was going to work!, Credits: ILM, Disney.


StageCraft is a package of technologies that create photorealistic virtual environments in real time. It helps the filmmakers to create immersive cinematic experiences for all. This game-changing innovation that paved the way to the creation of extra ordinary visuals in cinematic universe with much less effort than traditional methods. It inspired filmmakers to reimagine scene creation and hone their skills in various ways. However, it also has some challenges that require a lot of cost, availability, compatibility, and adaptation. Nonetheless the possibilities StageCraft brings to the table are much more than its shortcomings. Ultimately, StageCraft is a technology that showcases the vision and the ambition of the creators of The Mandalorian. One that inspired and influenced the future of filmmaking. I believe that the technological legacy it left behind will continue to resonate throughout the galaxy of entertainment for years to come.   

May the force be with you.

The Relationship Between Traditional Clothing Culture and Animation Character Shaping In China

The Relationship Between Traditional Clothing Culture and Animation Character Shaping In China

http://The Relationship Between Traditional Clothing Culture

The development of Chinese animated films has always adhered to the inheritance and development of traditional culture. Among them, clothing culture, as an essential part of Chinese classical culture and animated films, plays an important role in the domestic animated films. Because clothing will give the audience the most intuitive feeling and cultural presentation, and also the most explicit expression of the main idea of the film content. The audience will have the most preliminary understanding of the necessary content such as the character’s personality, status, living environment, background experience, etc. directly from the clothing and matching of the film as to have a great impact on the overall style and scene construction design of the film and the character shaping of the film.

From the 1940s and 1950s to the 1990s

With the launch of Asia’s first animated feature film Iron Fan Princess in 1941. Domestic animated films entered the development stage of creation and exploration. The animated films of this period focus on restoring the inherent characters in myths and legends or historical books. They are good at applying a certain kind of traditional culture as a whole to the content and form of animation. Clothing is also included, but it lacks innovative content, resulting in similarity of clothing. For example, in 1956, “The Proud General” completely used the elements of the face of Peking Opera to shape the characters, while “Iron Fan Princess” and later “Golden Conch” used traditional Chinese folk paper-cut art to interpret the characters’ dynamics. The launch of The

Chinese traditional clothing of check

Heavenly Palace in 1964 marked the maturity of the national style of Chinese animation. Until the early 21st century, Chinese animated films have maintained such a national style. While the national character is becoming more and more mature, Chinese animated films are also facing the transformation of modernization. The reason for the lack of modernization and innovation may come from the simplicity of most of the story content and plot content. People’s general focus is also on the presentation of the overall national characteristics of the film, rather than the uniqueness of the characters. However, the attempt of domestic animated films in this period on various traditional cultural methods is the rapid development of “Chinese comics” in the later period laid a solid foundation. And character shaping can bring strong memory points to the audience.

From the 1990s to the 1910s

Chinese animated films developed slowly and entered the exploration stage in urgent need of transformation. At the same time, due to the large number of introductions of animation from Europe, the United States and Japan during this period. From the release of Journey to the We

st: The Return of the Great Sage in 2015. Chinese animated films have entered a new stage from the adaptation of content to the innovative application of clothing elements. They only retain the most core cultural connotations and values, as well as the most profound symbolic elements that can reflect the identity of the characters. The clothing culture of this period is more closely related to the animated characters and is irreplaceable. Clothing elements begin to transform from just expressing the identity of characters to deeper metaphors. And the clothing elements that can play a role have also expanded from style to more detailed aspects.  Such as material, color, pattern, graphic and so on. These contents can determine whether a character is successful.  Therefore, whether the clothing culture is reasonably used is one of the necessary conditions for a good animated film.